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Musicam quam figuralem vocant, primus Zagrabiae in Seminarium ac Sacras quibus Diva Catharina patrocinitas, Coll. Soc. Jesu aedes introduxit, et alendorum musicorum magnam curam habuit.
Musicam, quam figuralem vocant, primus Zagrabiae in Seminarium ac sacras, quibus Diva Catharina patrocinatur, Collegii Societatis Jesu aedes introduxit, et alendorum musicorum magnam curam habuit...
Musica figuralis, a term introduced in 16th-century German treatises distinguishing mensurally notated (often polyphonic) music (musica figuralis) from equally-measured monophonic chant (musica choralis). Treatises covered mensuration (the measurement of the length of the tone) only after treating pitch and its notation. The term musica figurata, also translated as “figural music,” distinguishes the complex rhythmic textures of the early Netherlands school (e.g. J. Ockeghem) from the simpler rhythmic textures (musica reservata) of later composers (e.g. Josquin des Prez).